Producer & Distributor Pitch

MOON DUST is a completed feature documentary directed by Bruno de Champris, telling the remarkable true story of Jérémy, a young artist who rebuilt his life through creativity, resilience, and his deep connection with Japan after surviving a devastating accident. The film combines documentary storytelling with anime-inspired artistic elements, creating a unique bridge between Europe, the Middle East, and Japan.

The documentary celebrated its official World Premiere on 24 June 2026 at the 34th Raindance Film Festival in London, one of the world’s leading independent film festivals. The screening attracted a strong audience, followed by a Q&A session with director Bruno de Champris and protagonist Jérémy de Champris, generating highly positive reactions and emotional engagement from attendees.

Since completion, MOON DUST has already received several recognition on the international festival circuit, with more than 12 Awards, official selections and mentions at this date.

The film’s universal themes of resilience, hope, artistic rebirth, and cross-cultural connection have resonated with audiences across different territories.

The project is now entering its next phase to bring this inspiring story to global audiences.

As the first chapter of the wider Major Seventh (M7th) universe, MOON DUST serves as both a standalone documentary and the foundation for a larger trans-media journey currently in development.

We are currently seeking strategic partners to support the international rollout of MOON DUST, following its successful festival premiere and awards trajectory.

We are looking for regional distributors, international sales agents, territorial licensing deals, broadcasters and streaming platforms to bring the documentary to audiences across Asia, but also Europe, America and particularly Japan.

We are also seeking strategic marketing, media and brand partnerships to amplify the film’s universal themes of resilience, transformation and hope.

Beyond the documentary, the objective is to build long-term partnerships around Major Seventh, the upcoming hybrid feature film combining live action, animation, anime-inspired visual language, Virtual Production, VFX and music.

MOON DUST acts as the gateway and proof of concept for this larger international project.

MAJOR SEVENTH is conceived not simply as a feature film, but as a global creative ecosystem spanning film, animation, music, technology, gaming, licensing and potentially digital assets.

We are therefore open to co-production, financing and regional production partnerships, particularly with European, Middle Eastern and Asian players.

Japan represents a key strategic territory, both culturally and commercially, given the project’s strong manga/anime influence and artistic connection to Jeremy’s journey.

We are also seeking partners able to develop distribution, licensing, brand integration and ancillary opportunities across multiple territories and platforms.

The ambition is to establish a network of partners who can participate not only in the release of MOON DUST, but in the long-term development and international expansion of the MAJOR SEVENTH ecosystem.

In the age of Genesis GOD creates ADAM and EVE. The angel Adam flays through space, loses control, asks Uranus to send him a “develop” program, then crashes. Uranus sends the angel Eve to help. Adam is told by God he is on the planet Earth and is now rebuilt as a human being from the parts of Titans. God explains he has the faculty to contemplate. God tells Adam, that on Earth Satan competes with Uranus and builds his “devils”. On Earth God tries to build, a “perfect” human being from parts of fallen angels. Adam sees Eve, a gorgeous being with blond hair and blue eyes. Adam is attracted and God tells him that this is the feeling of Love, explains this is a unique quality of this project - the creation of a “perfect” human being. Adam hugs and kisses Eve, she sees, that he is gentler than the other angels! Eve asks God how long it will take to turn Earth into a “paradise”. God replies that it will take thousands of years if the proper development programs are employed. God’s only guarantee is, that their descendants will be awarded with the free will to evolve as they wish, being endowed with an immortal spirit. God warns them not to pluck the fruits off the tree of knowledge, as both are still not sophisticated enough to make use of this knowledge. Knowledge! God explains is acquired by hard work, while if provided to someone without the needed experience, it can be a destructive force. Meantime, Eve sees a serpent, that tells her Earth is a “hell”, where God realizes projects, that are failures. You humans, the serpent says, are the first species to have the option to “evolve”. It tells Eve, that it gathers the apples that have fallen off the “tree of knowledge”. It explains, an apple is ripe and drops from the tree of knowledge, if the fruit is eaten before it rots, its information is preserved. If one eats from the fallen fruits, he learns the truth. Eve bites a piece off an apple and her telepathic powers increase substantially. She finds, that eating more can restore the connection to the centre. After the second bite Eve is told: “To open the third eye follow the path of evolution!”. Adam concludes, that if evolution is sought, then there is no reason why he shouldn’t eat from the “tree of knowledge” himself. In the end God explains, that he has always striven for “goodness”, but must always be on guard as regards “evil” and that the attainment of “perfection” in “evil” is a greater threat than all other instances of imperfection.

In the age of Palestine, Adam is a young Christian who wants to marry Eve the daughter of the priest Joseph; who doesn’t allow the marriage. Aristotle the high priest in the temple of Apollo helps Adam, but Joseph incites his followers against the pagan Aristotle, who is stoned by the crowd, Adam tries to protect him, but is knifed to death!

ADAM, 18 and EVE, 17 live in Palestine, part of the Roman Empire, the Christian faith is on the rise. ARISTOTLE is a priest at the temple of Apollo. Adam is told the temple of Apollo is a snake’s nest where demons congregate. Adam is a goat-heard, he tells Aristotle, that he can't count. Aristotle teaches him to read and count. Adam remembers, that the preacher will read the Gospel of St. John. So writing, then he thinks isn’t a sin! Adam can now count his goats. One day Adam asks the preacher JOSEPH: “Father! Do you know how many goats I graze?”, then draws the numbers on the wall. Joseph tells him: “These are magical symbols!”. Adam tells Aristotle, who then says: “The Father must be illiterate!”. Aristotle gives Adam a scroll written by Thomas! Adam reads: “Jesus said;….. Adam compares this with the scroll held by Joseph, he reads: "Titus, son of Licentious of Ephesus, gives Apollo a bull in gratitude for being miraculously healed!". Adam thinks; “Is he illiterate? Isn’t lying a sin. Doesn't God see?!”. A Roman tax collector reads: “Herakles - you owe the Emperor 25 solidi, thirteen sheep, fifteen goats, fifteen pigs, wheat…” Adam stands behind the tax collector and can see the text; "He owes five solidi, three sheep, five goats ..."… Adam shouts: “Master! What is written here in the scroll is… Herakles says: “I want to see what is written…! Then the tax collector reads the actual text. Herakles makes Adam a cart driver. Adam asks Herakles to allow him to have Eve! Herakles laughs: “You take her!”. Later Adam tells Joseph: “I have his agreement!”. Joseph says: “Eve will be the bride of the Lord, be aware of the demons sown by the Gentiles, their temples should be torn down! We must curse that new evil - the heretics!”. Adam asks Eve: “Do you want to be with me? Eve says: Yes! They ask Joseph for his blessing; Eve says: “Father, the Holy Virgin came to me in a dream and told me that God will appear for me in the image of Adam!”. Joseph says: This is blasphemy! EVE says: “I love him!”. Joseph says: “You are bewitched!”. Eve then says: “No, it was by the stream at first, then in the haystack and finally down in the meadow!”. Joseph shouts: “Shut up, you whore!”. Adam leads Eve to the temple and Aristotle, to witness their engagement. Joseph and a crowd of Christians climb up to the temple of Apollo. Aristotle is stoned and Adam is knifed to death.

Adam’s father the count is killed by Lombardi who becomes count. Adam is raised by a mural painter, he meets Eve, count Lombardi’s daughter and they fall in Love, but the countess doesn’t allow them to marry. By accident Adam knifes and kills count Lombardi’s son. Adam abducts Eve and by consent has a son from her. Meantime Adam is adjudicated as the true count by the cardinal. However, Adam is killed outside Lombardi’s castle, just after he hears that he has a son.

Adam is handed to a knight who is told to take him to Father Bartolomeo who will hide him. He is given gold coins. A cry is heard: "They killed the count!". The knight, leaves Adam to Father Bartolomeo asking him to hide him, then gives him the gold. Master Simone wants a son, he is given gold and a house to live in and bring-up Adam. The boy is a relative of count Galiardi, his parents are killed by Lombardi’s men. Master Simone’s passions are painting and horses. Adam is taught to draw, paint and ride. Simone is commissioned to paint the Hall of count Lombardi. Eve asks Adam to draw a daisy for her! Adam paints a colorful flower. Eve's pleading blue eyes pierce Adam’s soul. Adam gives Eve the painting. As a reward Eve leads him to a gold fish pond. Eve shows him what her sister and fiance did there, she kisses Adam on the lips. His lips burn! His heart pounds! Two years pass, Adam sells apples at the market. He sees ... Eve! She is a real beauty. He gives her a large apple, but her guards pull Adam to the ground and kick him. The blue eyes of Eve pierce Adam’s heart and he paints them in the angels on the walls of all the temples. One day, as Adam paints, Eve appears like an angel and says in a sad voice with tears in her eyes: “My father wants to marry me to an ugly old sod with two teeth! I will follow you to the end of the world!”. Adam says: “Next Sunday I will wait for you!”. They kiss passionately! On Sunday next, Adam waits, then sees Lombardi's guards while Eve shouts: “Adam, run! This is a trap!”. Adam gallops to count Galiardi’s castle where he is proclaimed as count of Montecito. Meantime count Lombardi's son comes in and draws his sword, but is flung on Adam’s dagger. Lorenzo dies. Eve is rescued from the St. Anne's convent, then she and Adam are married. Adam tells count Lombardi with haughtiness: “Count Torrelli, ruler of Montecito! I have the blessing of the Holy Father!”. Lombardi laughs: “I have the same blessing!”. There are shouts: “Eve gave birth to a son!”. Adam jumps with joy: “Son! I have a son!”. Lombardy says: “I am ready to make you my page!”. Adam shouts in wrath: “Page? Your page?”. Lombardy responds: “I thought you were really lucky…”. Lombardi raises his hand. A swarm of arrows flies from the castle walls. Two arrows slam into Adam’s back, a third pierces him through the neck. Adam dies!

Adam [Polish] 13, goes to work in a commune in Russia [now Ukraine]. He joins the October Revolution as a Chekist and is shot by Cossacks. Father Kiril and his daughter Eve save his life. Later Father Kiril is arrested and Adam saves him from being sentenced to death. As a Pole and Chekist Adam is ordered to manage the execution of Polish war prisoners. One of the officers is Adam’s brother Pavel. Adam saves his brother, but is found out and shoots himself with the words; “You made me kill my only friend, but you won’t make me kill my brother!”. Adam rests the gun on his temple and pulls the trigger………….

ADAM 13, goes to Ukraine. FYODOR ROMANOV 23, hits STEPAN and MAXIM and saves Adam. ARNOLD tells Adam the "Manifesto of the Communist Party" is their Bible. The revolution comes. Fyodor becomes a Bolshevik. Adam joins the squad of ROMAN GULKO. Adam meets KATYA, 17. Peasants flee with the provisions, but are caught and shot. Katya screams: “You killed my father!”. Adam has fallen in love with her, now she curses him. The Germans attack Russia. Adam shoots a soldier and shouts: “I killed a man!”. Then BORIS shouts; “I hit him!”, but is killed. Adam sees a bullet pierce Boris’s forehead. Fyodor believes the war will lead to a world revolution as the working class is armed. Adam becomes a Bolshevik. He is shot by Cossacks. FATHER KIRIL and EVE save him. Adam falls in love with Eve. In Kiev, Adam specializes in "Subversive act prevention". In Odessa his superior is VASILY FOMIN, they seek out enemies of the revolution within the party. Stalin and Trotsky clash. Fomin warns Adam he is at a loss with some ... issues. A light flickers and Adam adheres to the party line. He is sent to manage kulak dispossession. Those who won’t join the collectives are sent to labor camps. People die of hunger. Hidden grain is found. The farmer runs, his daughter looks like Katya. KRAVCHUK shoots the farmer and his wife, then claims he shot them in compliance with Adam’s signed instructions. Adam recalls Katya’s words: “Dirty killer!”. Now it is his fault. Fomin introduces DARIA to Adam and they are married. Adam forgets Eve. Adam arrests Fyodor, he is accused of spying. Fyodor tells Adam to sign the execution order. Adam signs! Father Kiril is arrested, he is third on the list, this usually leads to a death sentence! Adam acts! At the trial Kiril is given five years. Russia and Germany sign a packed, Poland is the enemy. An order comes for the Polish officers to be executed. A Polish Captain - Pavel Polanski tells Adam his name is Sosnowski. Adam’s heart beats, his hands shake: ”This really is Pavel!”. Tears well up in Adam’s eyes, he tells Pavel he will have him brought to Kharkiv and save him. A SENIOR MAJOR enters Adam’s office and asks: “Is someone missing in the archives, Sosnowski?”. Then shouts: “Senior Lieutenant arrest the traitor!”. Gromov reaches for his holster, but Adam grabs the revolver and pulls the trigger. The Senior Lieutenant falls. The Senior Major is also shot. Adam shouts: “Dirty bastards! You made me kill my only friend, but you won't make me kill my brother!”. He rests the gun on his temple and pulls the trigger ...

The uniqueness of this film for both the Asian and global markets lies in a powerful fusion of Eastern visual aesthetics with the depth of the Russian psychological dramatic school and acting craft, which I represent as a director and acting coach from Russia.

The Russian dramatic school is recognized as one of the strongest in the world. It equips actors with tools for incredibly alive, "breathing" performances — something rarely seen in genre cinema.

This contrast — inner tension and emotional honesty set against a vivid, mythic visual landscape — creates a universal language that resonates with both sophisticated Western audiences and Asian viewers who value metaphor and philosophical subtext.

I have been deeply studying the cultures of Asia, and I hold their values in high regard.

Ultimately, I'm offering not just a story, but an experience of empathy that transcends cultural boundaries while simultaneously bringing them together — giving us the opportunity to create a film of a new caliber.

At this stage, I am open to collaboration formats that will help bring this project to a wide audience worldwide.

First and foremost, I am interested in partners who are willing to work with auteur-driven yet commercially potent material.

That said, options such as premium streaming acquisitions or television licensing are also of interest.

As for the film itself, I would like to serve as screenwriter, director, and actress, performing one of the key roles. However, suitable candidates who understand this genre and have relevant experience could also be considered for the director's position.

My direct involvement would give me unique and careful control over the visual and acting decisions; however, I am absolutely flexible in negotiating release terms, marketing strategy, and production budget.

Additionally, I would like one of the key antagonist roles to be played by the actress who portrayed this character in the short film.

My goal is to create a feature-length film where the Russian psychological school and its depth of character work in tandem with contemporary global cinematic language and the authenticity of Eastern culture.

I am looking for reliable partners who are ready to share this journey.

All terms, including the scope of rights, timelines, and the financial model, are open for discussion.

PATH is completed and currently on its international festival run, where it has already received several selections and distinctions, including Winner – Best Documentary at Roma Short Film Festival and Winner – Best Original Soundtrack at Rotterdam Independent Film Festival, alongside further international selections and nominations.

The film is now entering its distribution and international sales phase.

PATH sits at the intersection of cinema, contemporary art, music and cultural documentary, giving it potential beyond the conventional documentary market. Its journey across cultures and its exploration of displacement, identity, artistic transformation and our relationship with the natural world give the film particular resonance with Asian audiences and territories where questions of heritage, modernity and cultural transmission remain central.

Its strong visual language and original soundtrack also position PATH for theatrical, cultural, museum, broadcast and curated streaming environments, creating several possible routes to market internationally.

We are currently seeking distribution and sales partnerships for PATH, with a particular interest in establishing strong representation across Asia and Asia-Pacific.

We are open to discussing territory-by-territory distribution, regional Asian rights, broadcast and streaming partnerships, as well as a wider international sales representation agreement where the right partner and strategy are identified.

Two main characters: Binna on Earth and Osirana on Aquaosis.

Both are greatly unsatisfied with the reality of their respective worlds and seeking refuge on exploring other worlds.

This story resembles current generalized crisis of identity and coexistence among cultures and ethnicities generating fear, distrust, and violence worldwide.

This story offers an alternative way of thinking embracing empathy and coexistence as instrument to save each other from fear and violence toward hope and wisdom preventing the collapse of the world we live in.

We are open to creative partnerships, agency collaborations, TV/media projects, and festival selections to expand the project’s reach.

Meticulous in our approach, we ensure every detail in the visuals serves a narrative or symbolic purpose. Driven by constant experimentation, our team welcomes bold collaborations with agencies, TV producers, and industry partners who share a vision for fresh, high-impact storytelling.

FRANK (Main Character) - is a 28 year old who is depressed and is struggling with alcoholism. He has trauma from when he was younger with his father and has lost someone very close to him.

MADDIE - is a 25 year old nurse that is trying to help Frank though this tough time.

LILLY - is 25 and Frank's new girlfriend.

KYLE - is 27 and Maddie's husband as well as Frank's friend.