Producer & Distributor Pitch
Where our 2026 entrants meet Asia’s film trade.
The 2026 slate
Films seeking buyers, scripts seeking backers
Each record on this slate sets out why the project should appeal to audiences in Asia and the kind of partner it requires. For films and series, the record also states the project’s status; for screenplays, it outlines the characters and the conflict.
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Film
Diary of a WoMan
Directed by Simon AebySwitzerland
Diary of a WoMan follows Alex Darkley, a middle-aged teacher, whose descent into suicidal insanity is triggered by his early childhood and facing refusal and bigotry when living out his sexual ambiguity.
The full pitch
- Project status
- Completed. World premiere and theatrical release in Mumbai, India (September 2025), theatrical release in Germany, Austria and Switzerland (April 2026), now on its festival run.
- Market appeal
- An intense psychological drama about gender identity and mental health, carried by an award-winning cast led by Marcel Schneider and directed by Simon Aeby, whose Three Below Zero won the Max Ophüls Prize. The film has a built-in audience among LGBTQ+ viewers and fans of character-driven psychological drama, and it opened theatrically in India with PVR Cinemas. Urban audiences across Asia with a vibrant independent film scene are a key market. New in 2026: Best Actor at the Kyoto Independent Film Festival and Best LGBTQ Film at the Madrid Arthouse Film Festival.
- Looking for
- Theatrical partners to bring the film to art-house cinemas, in Europe and beyond, and distribution partners in Asia. Digital distribution is already signed for the USA, Canada, India, Ireland and the UK.
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Screenplay
a three body solution
Ken Breniman
A brilliant Vietnamese scientist and drag queen, a burned-out Caucasian hippie shaman, and a Thai muscle boy who communes with aliens become an unlikely queer thruple who unwittingly become our future global leaders who must turn their radical experiment in love into a way for a collapsing humanity to survive.
The full pitch
- Project status
- Development-ready. The feature screenplay is complete and adapted from the multi-award-winning novel a three body solution, with a prequel and sequel now in development. A small collection of low-budget, AI-assisted music videos has also been created as visual proof-of-concept and edutainment, offering an early glimpse into the story’s progressive speculative world. No principal photography has begun.
- Market appeal
- Across Asia, LGBTQ+ visibility and legal recognition are evolving, creating space for stories that say with humor, heart and confidence: we are here, queer, and not going anywhere. Author-screenwriter Ken Breniman lived seven years in Japan and was an outspoken LGBTQ+ advocate there in the 1990s, bringing deep cultural respect and a belief that social evolution takes patience, curiosity and sometimes one unforgettable story. Think the queer sci-fi yearning of Uranus 2324, the genre-bending audacity of Everything Everywhere All at Once, and the intimate emotional honesty of Happy Together — reimagined as a lower-budget thinker’s movie grounded in primatology, psychedelics, thanatology, AI and real science. a three body solution is less a blockbuster begging to be watched than a heartfelt trans-Pacific saga waiting to be born.
- Looking for
- We are seeking a producer, co-production partner, or resourceful independent team who believes a three body solution deserves the chance to become a film and can help guide a completed screenplay from page to screen. As a first-time filmmaker, author-screenwriter Ken Breniman would be honored to remain closely involved — potentially directing alongside an experienced team — but is equally prepared to step back and serve as a creative consultant if that gives the story its best life. The goal is not a blockbuster payday; it is to find collaborators who believe queer, culturally curious, idea-driven cinema can entertain while expanding how we see one another and the planet we share. Ken will soon spend time in Borneo contributing to conservation work amid the region’s ecological challenges, and approaches this project in that same spirit: with humility, service, curiosity, and the hope that this pitch might help an unusual little screenplay find its cinematic home.
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Film
I am in the morning
Directed by Anna Guseva
The film is built around the dialectic of the real and the imaginary, the corporeal and the spectral, light and shadow – unfolding through the music of Bach and the space of an historic mansion. The visual narrative centers on an encounter between a man and a woman – possibly real, or perhaps occurring only in imagination, a dream, or a memory.
The full pitch
- Project status
- Currently on festival run
- Market appeal
Our film "I am in the morning" was presented at several international film festivals and was awarded and recognized:
Award Winners:
Singapore Film and Script Festival — Best Music Video; Best Director in Music Video
Europe Music Video Awards — Best Art Dance; Best Choreography
Finalist:
KTOWN International Film Festival (KTOWN IFF), Los Angeles — Music Video
Semi-Finalist:
New York Indie Shorts Awards — Music Videos Competition
These achievements confirm the high artistic level of the project and its commercial potential in international and Asian markets.
- Looking for
We are a dance company that independently creates and produces its own dance projects. We are looking for a producer who could help realize our film “I am in the morning”; we also have other original films. We want to find a producer or a production company who can attract funding and help us develop our dance projects. We are also ready to create new projects with the producer that we can promote in the future.
We produce many projects. In the near future we will present another film, “The Lover,” and we are also very interested in finding a producer who will produce our upcoming projects. Or we could create a new project with them. All of these options are of interest to us.
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Film
Courier
Directed by Tigran AgavelyanArmenia
Desperate to save his hospitalized wife, a courier named Aziz needs money he doesn’t have. Faced with an impossible choice, he makes a deal with his conscience.
The full pitch
- Project status
- Completed. The film is currently on its international festival run and has received awards and recognition at international film festivals.
- Market appeal
- Courier is a human drama built around a universal moral dilemma: how far a person is willing to go to save someone they love. The story explores love, desperation, dignity, and conscience — themes that transcend cultural and geographical boundaries. Its emotionally driven narrative and universal conflict make it accessible to audiences in Asia as well as internationally.
- Looking for
- We are seeking distribution opportunities and partnerships that can bring Courier to audiences in Asian and international markets, including regional distribution, broadcast and streaming opportunities.
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Film
Moon Dust
Directed by Bruno de ChamprisUnited Arab Emirates
A horrific motorcycle crash leaves a young artist to fight for his life and create a new trajectory for his destiny. From near death to art rebirth.
The full pitch
- Project status
MOON DUST is a completed feature documentary directed by Bruno de Champris, telling the remarkable true story of Jérémy, a young artist who rebuilt his life through creativity, resilience, and his deep connection with Japan after surviving a devastating accident. The film combines documentary storytelling with anime-inspired artistic elements, creating a unique bridge between Europe, the Middle East, and Japan.
The documentary celebrated its official World Premiere on 24 June 2026 at the 34th Raindance Film Festival in London, one of the world’s leading independent film festivals. The screening attracted a strong audience, followed by a Q&A session with director Bruno de Champris and protagonist Jérémy de Champris, generating highly positive reactions and emotional engagement from attendees.
Since completion, MOON DUST has already received several recognition on the international festival circuit, with more than 12 Awards, official selections and mentions at this date.
The film’s universal themes of resilience, hope, artistic rebirth, and cross-cultural connection have resonated with audiences across different territories.
The project is now entering its next phase to bring this inspiring story to global audiences.
As the first chapter of the wider Major Seventh (M7th) universe, MOON DUST serves as both a standalone documentary and the foundation for a larger trans-media journey currently in development.
- Market appeal
- Moon Dust is uniquely positioned for Asia through its powerful journey from Europe and the Middle East to Japan, where Jeremy’s artistic rebirth is deeply shaped by manga and anime culture. Its distinctive visual language bridges documentary, animation and contemporary Japanese-inspired art, creating a strong cultural connection with Asian audiences, while remaining globally accessible. At its heart is a universal story of resilience, transformation and hope—particularly resonant in today’s world. Moon Dust therefore offers both a compelling human story and a natural gateway to the wider Major Seventh universe and its Asian expansion.
- Looking for
We are currently seeking strategic partners to support the international rollout of MOON DUST, following its successful festival premiere and awards trajectory.
We are looking for regional distributors, international sales agents, territorial licensing deals, broadcasters and streaming platforms to bring the documentary to audiences across Asia, but also Europe, America and particularly Japan.
We are also seeking strategic marketing, media and brand partnerships to amplify the film’s universal themes of resilience, transformation and hope.
Beyond the documentary, the objective is to build long-term partnerships around Major Seventh, the upcoming hybrid feature film combining live action, animation, anime-inspired visual language, Virtual Production, VFX and music.
MOON DUST acts as the gateway and proof of concept for this larger international project.
MAJOR SEVENTH is conceived not simply as a feature film, but as a global creative ecosystem spanning film, animation, music, technology, gaming, licensing and potentially digital assets.
We are therefore open to co-production, financing and regional production partnerships, particularly with European, Middle Eastern and Asian players.
Japan represents a key strategic territory, both culturally and commercially, given the project’s strong manga/anime influence and artistic connection to Jeremy’s journey.
We are also seeking partners able to develop distribution, licensing, brand integration and ancillary opportunities across multiple territories and platforms.
The ambition is to establish a network of partners who can participate not only in the release of MOON DUST, but in the long-term development and international expansion of the MAJOR SEVENTH ecosystem.
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Screenplay
The Facechangers
Remo Notarianni
When French detective Laurent Ogier arrives in Shanghai to investigate the arrest of a Chinese businessman, Xu Mengyao, the businessman’s wife, joins him on the search. Together they witness the birth of cinema, and as Ogier sees the power of the camera to solve crimes ,Xu’s life is transformed as she becomes a filmmaker.
The full pitch
- Characters & conflict
- Set in Shanghai at the birth of cinema The Facechangers is about Xu Mengyao, the wife of a rich man who has been arrested in Europe. When facechangers perform in the city and are accused of theft during the performance, Xu persuades Ogier to use the cinematograph to film a show and find out what is going on at the event. Her life changes when the camera solves the crime linked to her husband. This highlights her struggle to find herself, from growing up in a poor family in Pudong to becoming dependent on a rich man, to becoming an independent creative woman as filmmaker.
- Market appeal
- The film is an arthouse crime thriller that is also about the life of a filmmaker, aimed at lovers of cinema and detective films in an age of small screens and AI. It is a homage to cinema itself and its power to transform lives, revealing truths and lift the mask.
- Looking for
- My goal is get to development funding so I can being production of the script.
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Screenplay
Peel Island
Jenny Mansell-Black
In 1940 a young mother is misdiagnosed with leprosy and imprisoned on Peel Island off the coast of Queensland, Australia. She navigates harsh conditions, danger and betrayal in a desperate fight for freedom.
The full pitch
- Characters & conflict
- Inspired by true events, Kate is Fred’s wife and young mother of two little girls, when she is misdiagnosed with leprosy in Ayr, North Queensland, in 1940, arrested and imprisoned on Peel Island off the coast of Brisbane for nearly 13 years. Despite her negative tests for leprosy and the attempts of her husband to get her off the island, the authorities refuse to release her, while in Louisiana, USA, the search is on for a cure. Kate meets American soldier, Peter, and Kate’s Catholic upbringing causes conflict in their relationship. Kate has to fight snakes, bushfires, a killer soldier, being shipwrecked and the loss of seeing her daughters grow up, while surviving treatments and betrayal.
- Market appeal
- The story of Peel Island, set in the background of WWII, is both a love story and one of injustice, but it’s also an example of how governments and society treat people with an illness during a pandemic, such as we have recently experienced, except the fear of leprosy in people’s minds in the 1940’s due to biblical connotations was worse than the actual disease. Great music from the 40’s, along with a motif of Rachmaninov’s Piano Concerto 2 3rd Movement as the main theme, plus more modern music will introduce the era and its music to the younger generation, while older viewers will relive those times.
- Looking for
- Producer: The Peel Island movie will be inexpensive to produce as the places and buildings still exist and the island location has easy access. I would love to see this beautiful movie brought to the screen with a spectacular soundtrack which I have chosen. Product placement is another list I have developed for the Australian market.
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Screenplay
The World of the Perfect
George Pchelarov
The Lord creates Adam and Eve; gifts them with the feeling of Love and the faculty to contemplate. The Lord tells them; that they are part of a project to create a “perfect” creature – the human being!
The full pitch
- Characters & conflict
- The main character is Adam. In each episode he is found not to have attained perfection. Rather he is found to possess any number of the seven deadly sins; haughtiness, greed, wrath, envy, lust, gluttony and sloth.
- Market appeal
- The human nature deficiencies. The stories are family audience oriented emphasizing.
- Looking for
- Buyers, producers and directors are sought to develop the screenplays for TV or movie theatre screening.
- Part 1: Creation
In the age of Genesis GOD creates ADAM and EVE. The angel Adam flays through space, loses control, asks Uranus to send him a “develop” program, then crashes. Uranus sends the angel Eve to help. Adam is told by God he is on the planet Earth and is now rebuilt as a human being from the parts of Titans. God explains he has the faculty to contemplate. God tells Adam, that on Earth Satan competes with Uranus and builds his “devils”. On Earth God tries to build, a “perfect” human being from parts of fallen angels. Adam sees Eve, a gorgeous being with blond hair and blue eyes. Adam is attracted and God tells him that this is the feeling of Love, explains this is a unique quality of this project - the creation of a “perfect” human being. Adam hugs and kisses Eve, she sees, that he is gentler than the other angels! Eve asks God how long it will take to turn Earth into a “paradise”. God replies that it will take thousands of years if the proper development programs are employed. God’s only guarantee is, that their descendants will be awarded with the free will to evolve as they wish, being endowed with an immortal spirit. God warns them not to pluck the fruits off the tree of knowledge, as both are still not sophisticated enough to make use of this knowledge. Knowledge! God explains is acquired by hard work, while if provided to someone without the needed experience, it can be a destructive force. Meantime, Eve sees a serpent, that tells her Earth is a “hell”, where God realizes projects, that are failures. You humans, the serpent says, are the first species to have the option to “evolve”. It tells Eve, that it gathers the apples that have fallen off the “tree of knowledge”. It explains, an apple is ripe and drops from the tree of knowledge, if the fruit is eaten before it rots, its information is preserved. If one eats from the fallen fruits, he learns the truth. Eve bites a piece off an apple and her telepathic powers increase substantially. She finds, that eating more can restore the connection to the centre. After the second bite Eve is told: “To open the third eye follow the path of evolution!”. Adam concludes, that if evolution is sought, then there is no reason why he shouldn’t eat from the “tree of knowledge” himself. In the end God explains, that he has always striven for “goodness”, but must always be on guard as regards “evil” and that the attainment of “perfection” in “evil” is a greater threat than all other instances of imperfection.
- Part 2: Palestine
In the age of Palestine, Adam is a young Christian who wants to marry Eve the daughter of the priest Joseph; who doesn’t allow the marriage. Aristotle the high priest in the temple of Apollo helps Adam, but Joseph incites his followers against the pagan Aristotle, who is stoned by the crowd, Adam tries to protect him, but is knifed to death!
ADAM, 18 and EVE, 17 live in Palestine, part of the Roman Empire, the Christian faith is on the rise. ARISTOTLE is a priest at the temple of Apollo. Adam is told the temple of Apollo is a snake’s nest where demons congregate. Adam is a goat-heard, he tells Aristotle, that he can't count. Aristotle teaches him to read and count. Adam remembers, that the preacher will read the Gospel of St. John. So writing, then he thinks isn’t a sin! Adam can now count his goats. One day Adam asks the preacher JOSEPH: “Father! Do you know how many goats I graze?”, then draws the numbers on the wall. Joseph tells him: “These are magical symbols!”. Adam tells Aristotle, who then says: “The Father must be illiterate!”. Aristotle gives Adam a scroll written by Thomas! Adam reads: “Jesus said;….. Adam compares this with the scroll held by Joseph, he reads: "Titus, son of Licentious of Ephesus, gives Apollo a bull in gratitude for being miraculously healed!". Adam thinks; “Is he illiterate? Isn’t lying a sin. Doesn't God see?!”. A Roman tax collector reads: “Herakles - you owe the Emperor 25 solidi, thirteen sheep, fifteen goats, fifteen pigs, wheat…” Adam stands behind the tax collector and can see the text; "He owes five solidi, three sheep, five goats ..."… Adam shouts: “Master! What is written here in the scroll is… Herakles says: “I want to see what is written…! Then the tax collector reads the actual text. Herakles makes Adam a cart driver. Adam asks Herakles to allow him to have Eve! Herakles laughs: “You take her!”. Later Adam tells Joseph: “I have his agreement!”. Joseph says: “Eve will be the bride of the Lord, be aware of the demons sown by the Gentiles, their temples should be torn down! We must curse that new evil - the heretics!”. Adam asks Eve: “Do you want to be with me? Eve says: Yes! They ask Joseph for his blessing; Eve says: “Father, the Holy Virgin came to me in a dream and told me that God will appear for me in the image of Adam!”. Joseph says: This is blasphemy! EVE says: “I love him!”. Joseph says: “You are bewitched!”. Eve then says: “No, it was by the stream at first, then in the haystack and finally down in the meadow!”. Joseph shouts: “Shut up, you whore!”. Adam leads Eve to the temple and Aristotle, to witness their engagement. Joseph and a crowd of Christians climb up to the temple of Apollo. Aristotle is stoned and Adam is knifed to death.
- Part 3: Italy
Adam’s father the count is killed by Lombardi who becomes count. Adam is raised by a mural painter, he meets Eve, count Lombardi’s daughter and they fall in Love, but the countess doesn’t allow them to marry. By accident Adam knifes and kills count Lombardi’s son. Adam abducts Eve and by consent has a son from her. Meantime Adam is adjudicated as the true count by the cardinal. However, Adam is killed outside Lombardi’s castle, just after he hears that he has a son.
Adam is handed to a knight who is told to take him to Father Bartolomeo who will hide him. He is given gold coins. A cry is heard: "They killed the count!". The knight, leaves Adam to Father Bartolomeo asking him to hide him, then gives him the gold. Master Simone wants a son, he is given gold and a house to live in and bring-up Adam. The boy is a relative of count Galiardi, his parents are killed by Lombardi’s men. Master Simone’s passions are painting and horses. Adam is taught to draw, paint and ride. Simone is commissioned to paint the Hall of count Lombardi. Eve asks Adam to draw a daisy for her! Adam paints a colorful flower. Eve's pleading blue eyes pierce Adam’s soul. Adam gives Eve the painting. As a reward Eve leads him to a gold fish pond. Eve shows him what her sister and fiance did there, she kisses Adam on the lips. His lips burn! His heart pounds! Two years pass, Adam sells apples at the market. He sees ... Eve! She is a real beauty. He gives her a large apple, but her guards pull Adam to the ground and kick him. The blue eyes of Eve pierce Adam’s heart and he paints them in the angels on the walls of all the temples. One day, as Adam paints, Eve appears like an angel and says in a sad voice with tears in her eyes: “My father wants to marry me to an ugly old sod with two teeth! I will follow you to the end of the world!”. Adam says: “Next Sunday I will wait for you!”. They kiss passionately! On Sunday next, Adam waits, then sees Lombardi's guards while Eve shouts: “Adam, run! This is a trap!”. Adam gallops to count Galiardi’s castle where he is proclaimed as count of Montecito. Meantime count Lombardi's son comes in and draws his sword, but is flung on Adam’s dagger. Lorenzo dies. Eve is rescued from the St. Anne's convent, then she and Adam are married. Adam tells count Lombardi with haughtiness: “Count Torrelli, ruler of Montecito! I have the blessing of the Holy Father!”. Lombardi laughs: “I have the same blessing!”. There are shouts: “Eve gave birth to a son!”. Adam jumps with joy: “Son! I have a son!”. Lombardy says: “I am ready to make you my page!”. Adam shouts in wrath: “Page? Your page?”. Lombardy responds: “I thought you were really lucky…”. Lombardi raises his hand. A swarm of arrows flies from the castle walls. Two arrows slam into Adam’s back, a third pierces him through the neck. Adam dies!
- Part 6: Ukraine
Adam [Polish] 13, goes to work in a commune in Russia [now Ukraine]. He joins the October Revolution as a Chekist and is shot by Cossacks. Father Kiril and his daughter Eve save his life. Later Father Kiril is arrested and Adam saves him from being sentenced to death. As a Pole and Chekist Adam is ordered to manage the execution of Polish war prisoners. One of the officers is Adam’s brother Pavel. Adam saves his brother, but is found out and shoots himself with the words; “You made me kill my only friend, but you won’t make me kill my brother!”. Adam rests the gun on his temple and pulls the trigger………….
ADAM 13, goes to Ukraine. FYODOR ROMANOV 23, hits STEPAN and MAXIM and saves Adam. ARNOLD tells Adam the "Manifesto of the Communist Party" is their Bible. The revolution comes. Fyodor becomes a Bolshevik. Adam joins the squad of ROMAN GULKO. Adam meets KATYA, 17. Peasants flee with the provisions, but are caught and shot. Katya screams: “You killed my father!”. Adam has fallen in love with her, now she curses him. The Germans attack Russia. Adam shoots a soldier and shouts: “I killed a man!”. Then BORIS shouts; “I hit him!”, but is killed. Adam sees a bullet pierce Boris’s forehead. Fyodor believes the war will lead to a world revolution as the working class is armed. Adam becomes a Bolshevik. He is shot by Cossacks. FATHER KIRIL and EVE save him. Adam falls in love with Eve. In Kiev, Adam specializes in "Subversive act prevention". In Odessa his superior is VASILY FOMIN, they seek out enemies of the revolution within the party. Stalin and Trotsky clash. Fomin warns Adam he is at a loss with some ... issues. A light flickers and Adam adheres to the party line. He is sent to manage kulak dispossession. Those who won’t join the collectives are sent to labor camps. People die of hunger. Hidden grain is found. The farmer runs, his daughter looks like Katya. KRAVCHUK shoots the farmer and his wife, then claims he shot them in compliance with Adam’s signed instructions. Adam recalls Katya’s words: “Dirty killer!”. Now it is his fault. Fomin introduces DARIA to Adam and they are married. Adam forgets Eve. Adam arrests Fyodor, he is accused of spying. Fyodor tells Adam to sign the execution order. Adam signs! Father Kiril is arrested, he is third on the list, this usually leads to a death sentence! Adam acts! At the trial Kiril is given five years. Russia and Germany sign a packed, Poland is the enemy. An order comes for the Polish officers to be executed. A Polish Captain - Pavel Polanski tells Adam his name is Sosnowski. Adam’s heart beats, his hands shake: ”This really is Pavel!”. Tears well up in Adam’s eyes, he tells Pavel he will have him brought to Kharkiv and save him. A SENIOR MAJOR enters Adam’s office and asks: “Is someone missing in the archives, Sosnowski?”. Then shouts: “Senior Lieutenant arrest the traitor!”. Gromov reaches for his holster, but Adam grabs the revolver and pulls the trigger. The Senior Lieutenant falls. The Senior Major is also shot. Adam shouts: “Dirty bastards! You made me kill my only friend, but you won't make me kill my brother!”. He rests the gun on his temple and pulls the trigger ...
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Film
The Courier from the Northern Hills
Directed by Alexandra Lee
The Highest Rank Courier is the fallen Soul tasked with delivering "wish letters" whose price is a human Soul, risks it all to save a young, talented artist from eternal bondage, defying his own destiny and a mighty Master.
The full pitch
- Project status
- Completed and currently on festival run.
- Market appeal
“The Courier from the Northern Hills” is a high-concept, visually stunning project designed at the intersection of two booming global markets: Western fantasy action-thrillers (in the vein of Constantine) and the multi-billion-dollar Asian fantasy/drama industry (reminiscent of "Dokkaebi" and "Till the End of the Moon").
Backed by a strategic partnership with the regional language and cultural center "My Korea", the project possesses an already established, highly dedicated core audience of Asian pop-culture enthusiasts, ensuring high organic engagement and initial marketing traction.
- Looking for
We are currently open to two strategic avenues of cooperation:
1) Feature Film Development (Proof of Concept): The current short film serves as a fully realized, high-production-value proof of concept. The script for a full-length feature film is ready for development. We are looking for co-producers, investors, and studios to scale this rich, mythological universe into a commercial feature film or a mini-series. The original creator is attached as the screenwriter and lead actress, ensuring the preservation of the project's unique signature style and on-screen chemistry.
2) Short Film Acquisition: We are open to licensing the current short film for streaming platforms (SVOD/TVOD), airline entertainment, or specialized short-cinema distributors. The film offers premium production design, martial arts action sequences, and an emotionally resonant story condensed into a highly engaging festival-friendly format. This project bridges cultures, languages, and philosophies, offering distributors a unique, trend-driven asset with global crossover appeal.
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Screenplay
The Sapphire King
Russell A. Reball
In a fractured post-civil-war America, a fugitive enhanced soldier is forced to work with the damaged military company that captured him after they become trapped in a dead-zone town protected by a weaponized mining machine, a disturbed young woman, and a population that has mistaken survival for innocence. Sci-fi thriller with fairy-tale horror undertones.
The full pitch
- Characters & conflict
- An ensemble cast, but the heart of the story is Hollister Duncan—a physically gifted yet psychologically burdened young man attempting to outrun the violent reputation and inherited consequences associated with being the son of a feared Gunlord. His role is the emotional anchor that grounds the broader dystopian narrative.
- Market appeal
- The script's thematic exploration of engineered warfare and unchecked technological advancements lends meaningful market positioning similarities to successful properties such as: Halo, The Expanse, Edge of Tomorrow, The Hunger Games, Pacific Rim, District 9, Ready Player One and War Machine. Authentic military references and tactics would appeal to a demanding fanbase as well.
- Looking for
- With every effort to inspire, I am hoping to gain the attention of a producer/director who sees The Sapphire King as a commercial property worth committing to. With a filmmaker's clear vison, I foresee a marketable viability for film and streaming as well as franchise potential.
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Film
Primates, Privilege & Possibility
Directed by Brian H. Alexander
Inspired by Dr. Jane Goodall's final message that each of us has a role to play, a middle-aged queer death doula confronting planetary grief and integrating a near-death awakening travels to Borneo with singing bowls to connect with captive orangutans. Primates, Privilege & Possibility asks what our great-ape relatives can teach us about grief, empathy and survival, and what responsibility comes with the privilege of being human.
The full pitch
- Project status
- The project exists as two films telling the same story through different creative lenses. Brian H. Alexander's stop-motion animated version is complete and beginning its festival run. Robinson Earl's live-action, interview-driven documentary version is currently in post-production.
- Market appeal
- Filmed in part in Malaysian Borneo, the project connects Southeast Asian orangutan conservation with a global story about climate, grief, queer resilience, and our shared primate ancestry. Having both a stop-motion and live-action interpretation gives the story unusual artistic range and the potential to reach very different audiences. At its heart, both films move beyond crisis toward possibility, purposeful action, and hope.
- Looking for
- We are seeking festival, distribution, broadcast/streaming, and educational partnerships, especially in Singapore and Southeast Asia. We are also interested in collaborators who can help bring one or both versions into schools, communities, conservation spaces, and international conversations about our shared future.
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Film
PATH
Firouz Farman Farmaian
Across continents, cultures and shifting landscapes, contemporary artist and filmmaker Firouz Farman Farmaian embarks on a cinematic journey exploring creation, displacement, cultural memory and our connection to the Earth, tracing how art can transform inherited histories into new forms of dialogue and possibility.
The full pitch
- Project status
PATH is completed and currently on its international festival run, where it has already received several selections and distinctions, including Winner – Best Documentary at Roma Short Film Festival and Winner – Best Original Soundtrack at Rotterdam Independent Film Festival, alongside further international selections and nominations.
The film is now entering its distribution and international sales phase.
- Market appeal
PATH sits at the intersection of cinema, contemporary art, music and cultural documentary, giving it potential beyond the conventional documentary market. Its journey across cultures and its exploration of displacement, identity, artistic transformation and our relationship with the natural world give the film particular resonance with Asian audiences and territories where questions of heritage, modernity and cultural transmission remain central.
Its strong visual language and original soundtrack also position PATH for theatrical, cultural, museum, broadcast and curated streaming environments, creating several possible routes to market internationally.
- Looking for
We are currently seeking distribution and sales partnerships for PATH, with a particular interest in establishing strong representation across Asia and Asia-Pacific.
We are open to discussing territory-by-territory distribution, regional Asian rights, broadcast and streaming partnerships, as well as a wider international sales representation agreement where the right partner and strategy are identified.
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Film
The Curse of Kashaanti
Directed by Dilraaj Kang
A witch's curse haunts the kingdom of Kashaanti,
a princess confined, a prince unready,
and an aunt ruling with ice instead of mercy.
But when the shadows return and fate begins to stir,
family, love, and loyalty will face the darkest magic
to decide who truly belongs on the throne.The full pitch
- Project status
- Currently on a festival run.
- Market appeal
- At its heart, The Curse of Kashaanti is a family story rooted in South Asian culture, folklore and tradition. It champions disabled representation through a wheelchair-using South Asian princess, a perspective rarely seen in fantasy cinema. The film blends unique fantasy elements with universal themes of family, identity, power and leadership.
- Looking for
- We are seeking development and production partners to expand The Curse of Kashaanti into a feature film or sequel. We are particularly interested in producers, financiers, distributors and sales agents who can help develop the story and take it to a wider South Asian and global audience.
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Screenplay
Solomon's Keys
Victoria Polzer
Hunted by demons and sealed inside a cursed hotel, a fading mage and a rogue bounty hunter must fight or be devoured by an ancient evil.
The full pitch
- Characters & conflict
- Inspired by tales of crime and revelation, the story of Solomon – The Keymaster – brings elements of detective mystery and adventure thriller into the tradition of classic horror. At ist core lies a dilemma – a hereditary mage seeks to wash away the sins of his ancestors and renounce the dark gift, but the inhabitants of the cursed hotel refuse to release such precious prey: he mage himself, Jacob, a bounty hunter lured into the hotel, and Lyssa, the restless ghost of a Victorian woman who has her own score to settle with the hotel's ruling demon.
- Market appeal
- The screenplay, a winner at international festivals – including a Readers' Choice Award – has drawn praise from critics who have called it exactly the kind of story that could become the perfect Halloween film. This recognition reflects the enduring and growing appetite for horror, a genre that continues to generate substantial revenues for its creators. Target audience: fans of supernatural horror and mystery, primarily ages 16-45.
- Looking for
- Seeking a producer to move the project toward production and secure investors.
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Film
AZO
Sandra Luce
After the brutal death of her Ivorian fiancé, Lila travels alone to Ivory Coast to find him, convinced he is still alive.
The full pitch
- Project status
- Currently on festival run.
- Synopsis
- Lila, a Franco-Italian actress in her 40s, ready to do anything for an international career, lives with Azo, her 42-year-old Ivorian fiancé, an architect who dreams of starting a family. Their wedding is in three weeks. Two incompatible dreams. A violent argument erupts on a scooter. The wheel locks. The accident happens. Azo dies instantly. Lila survives and refuses to believe her fiancé is dead. She then decides to travel to Côte d'Ivoire, alone, to find him.
- Market appeal
- AZO is a deeply personal and universal story, inspired by true events, about grief, denial, and the transformative power of love across cultures. At a time when Afro-European co-productions are gaining significant momentum in the global market, AZO bridges two worlds with an intimate, emotionally driven narrative. This film was made to be shared to inspire, to heal, and to impact lives across borders.
- Looking for
- We are actively seeking regional distribution, a sales agent, and broadcast deals to bring AZO to the widest possible audience across Asia and beyond.
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Screenplay
NASTI
Oscar Holmes
Demeter's scientist mother Rhea dies horribly in her arms. But who might have killed her, and why?
The full pitch
- Characters & conflict
- Demeter wants to know who killed her mother. A scientist herself she takes a job at the Scientific Institute where her mother had worked. But there more is uncovered than she or anyone else could imagine.
- Market appeal
- Suspicions about scientific advancements and the opportunities for abuse are very relevant today, as are concerns about mental health and its consequences. This story dramatizes those suspicions and concerns in an exciting and thought-provoking way. The target audience is adults of all ages who enjoy being entertained by being intrigued, scared and wrong-footed.
- Looking for
- Development Funding and a Director. The ultimate goal is to have this film produced and in front of audiences.
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Screenplay
Traveling Worlds
Jorge Troncone Osorio
Aquaosis is a planet forced to leave its natural orbit passing by countless worlds up until they contact planet Earth and everything changes.
The full pitch
- Characters & conflict
Two main characters: Binna on Earth and Osirana on Aquaosis.
Both are greatly unsatisfied with the reality of their respective worlds and seeking refuge on exploring other worlds.
- Market appeal
This story resembles current generalized crisis of identity and coexistence among cultures and ethnicities generating fear, distrust, and violence worldwide.
This story offers an alternative way of thinking embracing empathy and coexistence as instrument to save each other from fear and violence toward hope and wisdom preventing the collapse of the world we live in.
- Looking for
- I am actively looking for a producer able to build a development funding to make a feature movie with this script.
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Screenplay
The Kulaaloo's Revenge
Judith Brulo
Luke's crippling self-doubt resurfaces when an immortal Griffon Vulture challenges him with a perilous mission. If Luke fails, those he loves will die.
The full pitch
- Characters & conflict
- Teenager Luke Bright struggles to believe in himself, but immortal Griffon Vulture Griff presents him with a 'do or die' mission. If Luke doesn't conquer his doubt and conquer the Kulaaloo, the universe will cease to exist.
- Market appeal
- There are malign, megalomaniac dictators causing havoc in the world today. This story shows that good will triumph over evil. The medium is animation and the target audience is family.
- Looking for
- I'm looking for a producer.
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Screenplay
The Order
Brian Wixson & Aaron Hanson
Lured to a secluded mansion by a career-making offer, a model discovers her aristocratic hosts are cannibals and must fight to avoid becoming their feast.
The full pitch
- Characters & conflict
- STAR — The Protagonist. A pressurized survivor whose stillness is mistaken for docility. Star enters the mansion seeking escape from a violent past she refuses to repeat. Beneath her quiet, laser-focused exterior is a coiled intensity shaped by years Of biting her tongue to survive. She observes before she reacts and calculates before she moves, though outside Of danger she is warm, impulsive, playful, and emotionally unfiltered. When the mask Of civility slips, she becomes the film's emotional engine, a woman transforming from prey into a deliberate force of rebellion, driven by instinct, love, and long-suppressed rage.
- Market appeal
- The Order combines a visual identity with commercially proven genre elements, creating a project that is both marketable and expandable. Designed for theatrical release with strong streaming potential, it offers investors an opportunity to support a premium horror property with franchise ambitions. The Order occupies the space between prestige independent horror and commercial studio thrillers. Luxury, psychological suspense, mystery and social commentary broaden its appeal beyond traditional horror audiences. Its mythology and world-building naturally support sequels, spin-offs franchise growth. Themes of wealth, power and obsession translate across global audiences.
- Looking for
- The goal is to secure funding and a Producer; I have a director attached already. A budget and shooting schedule have been created, and available, by the LP attached.
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Film
Maya
Sunil DatarDirected by Aditya IngaleIndia
Trauma happens to Everyone, No one is spared, It all depends on how you perceive it and what you do with it.
The full pitch
- Project status
- Currently on Festival run.
- Market appeal
- The topic of Trauma is well-known on the Asian Continent. My movie focusses on Human Emotional Trauma due to Socio-Cultural reasons.
- Looking for
- Regional Distribution.
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Series
The Reformation Room (回心部屋)
Luke
After Japan's bubble economy collapses, a corporate fixer who pressures unwanted workers into quitting is transferred to the remote warehouse where those workers get discarded, and comes face to face with a death he set in motion. A stranger there shows him a kindness he hasn't earned, and it forces the question of whether anyone is ever past saving.
The full pitch
- Project status
- The Reformation Room (回心部屋) is an ongoing 100-episode vertical micro-drama. Episodes typically run 60 to 90 seconds, in Japanese with English and Japanese subtitles. The first act is complete and released, new episodes go out every Monday, and the series is on its festival run while weekly production continues.
- Market appeal
- The series is set in Japan's Lost Decade and built around the oidashibeya, the banishment rooms companies used to force out employees they couldn't fire. The people who lived through that era are the ones watching. Our audience is overwhelmingly Japanese, about 80% of them over 45, and the first seven episodes have passed 100,000 views on a brand-new account with no marketing behind it. For everyone else, it's a redemption story set in a workplace, which needs no cultural translation, told in the short vertical format platforms across Asia are working hard to fill.
- Looking for
- I'm looking for the right distribution partners for Japan and the wider Asian market, whether that's vertical drama platforms or broadcasters, along with presenting sponsors and brand partners to support ongoing weekly production.
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Music video
Yuan
Prijomas Pojebleskus
A visually striking music video that explores the journey of self-discovery and resilience, blending rhythmic intensity with metaphorical imagery of breaking boundaries. It captures a relentless drive toward personal success, symbolized by the golden ‘Yuan’.
The full pitch
- Project status
- Completed: The music video is fully produced, finalized, and currently live on YouTube.
- Market appeal
- ‘Yuan’ bridges the history of one of Asia’s most iconic currencies with modern rap and a dense, cinematic visual style. The historical names and traditional forms of the Yuan aren’t just there as background props, they are written directly into the lyrics, giving the track a genuine cultural backbone. Rather than focusing on surface-level wealth, the currency in the video serves as a symbol of discipline, choices, and drive. By combining music, history, and sharp visual storytelling, the project naturally lands with both Asian audiences and an international crowd.
- Looking for
We are open to creative partnerships, agency collaborations, TV/media projects, and festival selections to expand the project’s reach.
Meticulous in our approach, we ensure every detail in the visuals serves a narrative or symbolic purpose. Driven by constant experimentation, our team welcomes bold collaborations with agencies, TV producers, and industry partners who share a vision for fresh, high-impact storytelling.
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Screenplay
Anguish
Daniel McEwan
Frank, broken by depression and substance abuse, struggles to handle a devastating loss in his life. His friends and family try their best to help Frank face his demons as well as the ugly truth.
The full pitch
- Characters & conflict
FRANK (Main Character) - is a 28 year old who is depressed and is struggling with alcoholism. He has trauma from when he was younger with his father and has lost someone very close to him.
MADDIE - is a 25 year old nurse that is trying to help Frank though this tough time.
LILLY - is 25 and Frank's new girlfriend.
KYLE - is 27 and Maddie's husband as well as Frank's friend.
- Market appeal
- This story is relevant because there are more than 47.7 million people in America who suffer from substance abuse and it increases by 1.9% every year. The target audience would be anyone who struggles with substance abuse as well as families who are affected by this disease.
- Looking for
- I’m looking for funding and a producer.